{"id":2676,"date":"2019-04-28T17:02:13","date_gmt":"2019-04-28T15:02:13","guid":{"rendered":"https:\/\/artside.sk\/?p=2676"},"modified":"2020-02-22T19:18:33","modified_gmt":"2020-02-22T18:18:33","slug":"vizionar-hieronymus-bosch-jeho-odkaz-o-vyobrazeni-pekla-na-zemi-je-pro-lidstvo-stale-aktualni","status":"publish","type":"post","link":"https:\/\/test.artside.sk\/cs\/vizionar-hieronymus-bosch-jeho-odkaz-o-vyobrazeni-pekla-na-zemi-je-pro-lidstvo-stale-aktualni\/","title":{"rendered":"Vizion\u00e1\u0159 Hieronymus Bosch – odkaz o vyobrazen\u00ed pekla na zemi je pro lidstvo st\u00e1le aktu\u00e1ln\u00ed"},"content":{"rendered":"\n

To, co n\u00e1s udivuje na n\u011bkter\u00fdch mal\u00ed\u0159\u00edch je jejich geni\u00e1ln\u00ed schopnost zobrazit p\u0159\u00edtomnost, v n\u00ed\u017e \u017eili a tvo\u0159ili nad\u010dasov\u011b, a\u017e p\u0159\u00edmo vizion\u00e1\u0159sk\u00fd. Mezi takov\u00fdch vizion\u00e1\u0159\u016f ur\u010dit\u011b pat\u0159\u00ed i Hieronymus Bosch. Ve zp\u016fsobu, jak\u00fdm vyj\u00e1d\u0159il zk\u00e1zu a zvr\u00e1cenost lidstva v 15. stolet\u00ed najdeme propojen\u00ed io n\u011bkolik stolet\u00ed pozd\u011bji.<\/p>\n\n

Holandsk\u00fd mal\u00ed\u0159, kter\u00fd \u017eil p\u0159ed v\u00edce ne\u017e \n500 lety, je jedn\u00edm z nejpozoruhodn\u011bj\u0161\u00edch apokalyptick\u00fdch mal\u00ed\u0159\u016f na sv\u011bt\u011b a \njedn\u00edm z prvn\u00edch vizion\u00e1\u0159sk\u00fdch g\u00e9ni\u016f um\u011bn\u00ed. Hieronymus Bosch je nejv\u00edce obdivovan\u00fd \npro jeho schopnost p\u0159en\u00e9st na pl\u00e1tno vlastn\u00ed vizi pekla propracovanou do \nnejmen\u0161\u00edho detailu.<\/p>\n\n

V\u017edy\u0165 posu\u010fte sami, kdo ze v\u0161ech mal\u00ed\u0159\u016f, kte\u0159\u00ed s nad\u0161en\u00edm v\u011bnovali svou tvorbu biblick\u00fdm motivem, dok\u00e1zal sv\u00e9 malby propracovat do takov\u00e9 dokonalosti jako Bosch. Jedno z jeho nejzn\u00e1m\u011bj\u0161\u00edch d\u011bl Zahrada pozemsk\u00fdch rozko\u0161\u00ed je pln\u00e1 symbolick\u00fdch obraz\u016f lidsk\u00e9 zka\u017eenosti, zh\u00fdralosti a marnivosti. Nechyb\u00ed v n\u00ed sexu\u00e1ln\u00ed sc\u00e9ny ani n\u00e1sil\u00ed. Mal\u00ed\u0159 kombinuje kr\u00e1sn\u00e9 a n\u011b\u017en\u00e9 v\u00fdjevy p\u0159\u00edrody s d\u00e9monick\u00fdmi kreaturami a pekeln\u00fdmi sc\u00e9nami.<\/p>\n\n

O \u017eivot\u011b a soukrom\u00ed tohoto \nnizozemsk\u00e9ho g\u00e9nia se v\u00ed pram\u00e1lo. Poch\u00e1zel z um\u011bleck\u00e9 rodiny, o\u017eenil se \ns o n\u011bco star\u0161\u00ed \u017eenou, dcerou bohat\u00e9ho m\u011bstsk\u00e9ho hodnost\u00e1\u0159e. svatbou se \nz n\u011bj stal v\u00e1\u017een\u00fd m\u011b\u0161\u0165an. Jeho tvorba fascinovala \u0161pan\u011blsk\u00e9ho kr\u00e1le \nFilipa II., Kter\u00fd m\u011bl ve sv\u00e9 sb\u00edrce a\u017e 33 \njeho obraz\u016f. D\u00edky tomu si m\u016f\u017eete v madridsk\u00e9m muzeu Prado pod\u00edvat \nmnoho z jeho tvorby v\u010detn\u011b zmi\u0148ovan\u00e9 Zahrady pozemsk\u00fdch rozko\u0161\u00ed. Bosch sv\u00e9 \nd\u00edla jen z\u0159\u00eddka datoval a sign\u00e1l.<\/p>\n\n

Boschova tvorba je vn\u00edm\u00e1na jako \nkonstantn\u00ed boj mezi dobrem a zlem, peklem a r\u00e1jem, kter\u00fdm lidstvo \nproch\u00e1z\u00ed. Je vn\u00edm\u00e1n jako mal\u00ed\u0159sk\u00fd Nostradamus a kdy\u017e si pod\u00edv\u00e1te jen \nzb\u011b\u017en\u011b jeho malby, pochop\u00edte, \u017ee m\u011bl jasnou p\u0159edstavu o tom, jak peklo \nvypad\u00e1. Do detailu zpracoval n\u011bkolik des\u00edtek bitev, v nich\u017e nad \n\u010dlov\u011bkem vyhr\u00e1v\u00e1 zlo zobrazeny ohyzdn\u00fdch kreaturami.<\/p>\n\n

Pokud v\u00e1m tento divn\u00fd, bl\u00e1zniv\u00fd Bosch sv\u011bt p\u0159ipom\u00edn\u00e1 Salvadora Dal\u00edho a jin\u00fdch surrealist\u016f, existuje pro to dobr\u00fd d\u016fvod. Dal\u00ed a Joan Mir\u00f3 studovali jeho tvorbu osobn\u011b v madridsk\u00e9m Prade a vytvo\u0159ili vlastn\u00ed obrazy jako poctu Holan\u010fanovi. Vyobrazen\u00edm sexu\u00e1ln\u00edch postav a hybridn\u00edch zv\u00ed\u0159at se tak nep\u0159\u00edmo odvol\u00e1vaj\u00ed na jeho odkaz.<\/p>\n\n

M\u016f\u017eeme jen spekulovat jak\u00e9 ud\u00e1losti v 15. stolet\u00ed inspirovaly \ntohoto mal\u00ed\u0159e k jeho plodn\u00e9 tvorb\u011b. Dnes jsme sv\u011bdky smutn\u00fdch obr\u00e1zk\u016f \nmo\u0159sk\u00fdch \u017eivo\u010dich\u016f um\u00edraj\u00edc\u00edch v oce\u00e1nech na toxick\u00fd odpad, poci\u0165ujeme \ndopad glob\u00e1ln\u00edho oteplov\u00e1n\u00ed a zne\u010di\u0161t\u011bn\u00ed na\u0161\u00ed planety. krvav\u00e9 \ndramata dokumentuj\u00edc\u00ed bitvy n\u00e1bo\u017eensk\u00e9 ideologie a politick\u00fdch n\u00e1zor\u016f se \niv dne\u0161n\u00edm sv\u011bt\u011b jev\u00ed jako nekone\u010dn\u00e9 tango mezi dobrem a zlem, \nsvat\u00fdm a h\u0159\u00ed\u0161n\u00fdm.<\/p>\n\n

\"\"<\/figure>\n

Na podobn\u00e9 t\u00e9ma reagujeme i v na\u0161ich designech, kter\u00e9 si m\u016f\u017eete vybrat na tri\u010dku, mikin\u011b \u010di k\u0161iltovce. Koup\u00ed produkt\u016f podporujete organizaci na z\u00e1chranu v\u010del<\/a> nebo zv\u00ed\u0159ec\u00ed \u00fatulek<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

To, co n\u00e1s udivuje na n\u011bkter\u00fdch mal\u00ed\u0159\u00edch je jejich geni\u00e1ln\u00ed schopnost zobrazit p\u0159\u00edtomnost, v n\u00ed\u017e \u017eili a tvo\u0159ili nad\u010dasov\u011b, a\u017e p\u0159\u00edmo vizion\u00e1\u0159sk\u00fd. Mezi takov\u00fdch vizion\u00e1\u0159\u016f ur\u010dit\u011b pat\u0159\u00ed i Hieronymus Bosch. Ve zp\u016fsobu, jak\u00fdm vyj\u00e1d\u0159il zk\u00e1zu a zvr\u00e1cenost lidstva v 15. stolet\u00ed najdeme propojen\u00ed io n\u011bkolik stolet\u00ed pozd\u011bji. Holandsk\u00fd mal\u00ed\u0159, kter\u00fd \u017eil p\u0159ed v\u00edce ne\u017e 500 […]<\/p>\n","protected":false},"author":1,"featured_media":2668,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":[],"categories":[75],"tags":[],"jetpack_featured_media_url":"https:\/\/test.artside.sk\/wp-content\/uploads\/2019\/04\/Bosch-Garden-of-Earthly-Delights-detail.jpg","_links":{"self":[{"href":"https:\/\/test.artside.sk\/cs\/wp-json\/wp\/v2\/posts\/2676"}],"collection":[{"href":"https:\/\/test.artside.sk\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/test.artside.sk\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/test.artside.sk\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/test.artside.sk\/cs\/wp-json\/wp\/v2\/comments?post=2676"}],"version-history":[{"count":0,"href":"https:\/\/test.artside.sk\/cs\/wp-json\/wp\/v2\/posts\/2676\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/test.artside.sk\/cs\/wp-json\/wp\/v2\/media\/2668"}],"wp:attachment":[{"href":"https:\/\/test.artside.sk\/cs\/wp-json\/wp\/v2\/media?parent=2676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/test.artside.sk\/cs\/wp-json\/wp\/v2\/categories?post=2676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/test.artside.sk\/cs\/wp-json\/wp\/v2\/tags?post=2676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}